Akarova
[Image:Akarova.jpg|thumb|right|250px|Akarova.]
Marguerite Acarin was a Belgian dancer, choreographer, and artist.
Biography
Acarin is generally known by her stage-name, Akarova. She was called "the Belgian Isadora Duncan". She studied music and dance under Émile Jaques-Dalcroze, creator of eurhythmics, after which she joined the Antwerp ballet. She soon left due to disputes with the ballet mistress..In 1922, attending a meeting arranged by Isadora Duncan's brother Raymond, she met artist Marcel-Louis Baugniet, with whom she would collaborate for many years. Baugniet coined Marguerite's stage name. They married on 31 October 1923, but separated in 1928. In this period she danced, choreographed, and designed sets and costumes, in performances to works by composers such as Igor Stravinski and Maurice Ravel. Her second marriage, to artistic patron Louis Lievens, took place on 6 April 1935. This marriage too ended in a separation, in 1939.
Noted Brussels architect Jean-Jules Eggericx constructed a studio, performance venue, and home, for Akarova at number 72, Avenue de l'Hippodrome, Ixelles, in 1937. The venue opened on 30 January 1937 with performances by Akarova from Francis Poulenc's Les Biches, Maurice Ravel's Boléro, and Igor Stravinsky's The Rite of Spring. Performances at the Avenue de l'Hippodrome ended in 1957. After the closure, Akarova devoted her time to painting and sculpture. She died at home in 1999.
Filmography
In 1991, artist Ana Torfs and graphic designer Jurgen Persijn created the video portrait Akarova & Baugniet / L'entre-deux-guerres. The portrait evokes the life course of both Akarova and Marcel-Louis Baugniet with the help of witness reports and archival material, and places their life and work as artists in the context of the Belgian avant-garde from the interbellum.In 1991 also Michel Jakar made a video documentary about Akarova: J'aurais aimé vous voir dancer... Madame Akarova . In the video seven young choreographers / dancers come together with Akarova in the Akarova studio.