"I Pity the Fool" is a soul blues song originally recorded by Bobby Bland in 1961 for his first Duke Records album, Two Steps from the Blues. Many music writers believe it was written by Joe Medwick, although Duke owner Don Robey appears on the songwriting credits. The lyrics tell of a man, who, while pitying others for falling for a certain woman, knows that he is also shamed. After its release as a single, it became one of Bland's biggest hits and most identifiable songs. Subsequently, several artists have recorded renditions.
Original song
Bland described "I Pity the Fool" as one of the first songs to fit his emerging style. Although he did not recall the writer, he acknowledged Joe Medwick's contribution. Bland biographer Charles Farley goes further by identifying Medwick as the actual writer. Medwick was a Houston, Texas-area, independent songwriter/broker. He regularly sold his completed songs to Duke owner Robey for small sums, along with any claim for the songwriting credit. Bland recorded "I Pity the Fool" during the second session for his album Two Steps from the Blues. Overseeing the November 12, 1960, session in Chicago was band leader and arranger Joe Scott. He used a six-piece horn section with twin trumpets. Wayne Bennett's contrasting lead guitar along with the horn arrangement are key elements of the song. Music writer Chris O'Leary describes Bland's vocal: Blues historian David Evans calls Bland, "the picture of utter humiliation in this frightening outburst, sounding like he is going to do harm to himself or someone else. This is powerful soul blues at its emotional best."
Releases and charts
"I Pity the Fool" was the first single released from Two Steps from the Blues. It entered the Billboard's Hot R&B Sides chart in February 1961, where it reached number one. The single also appeared at number 43 in the Billboard Hot 100 singles chart. As one of his most successful songs, it appears on numerous compilation albums, such as Bobby Bland: I Pity the Fool – The Duke Recordings, Vol. One.
Personnel
Joe Scotttrumpet
Melvin Jacksontrumpet
Pluma Davistrombone
Robert Skinnertenor saxophone
L.A. Hilltenor saxophone
Rayfield Deversbaritone saxophone
Teddy Raynoldspiano
Wayne Bennettguitar
Hamp Simmonsbass
John "Jabo" Starksdrums
unknownflute, choir, and strings
The Manish Boys (with David Bowie) version
The Manish Boys' version was released in 1965. The recording was produced by Shel Talmy, who was also producing the early singles and albums by the Who and the Kinks. Jimmy Page was Talmy's regular session musician and he played the guitar solo on "I Pity the Fool". During these sessions Page gave Bowie a guitar riff, which he didn't know what to do with. Bowie later used this guitar riff in two different songs, first on "The Supermen" from 1970 and second on "Dead Man Walking" from 1997. The B-side, "Take My Tip" was the first song written by David Bowie to be released on record.
Releases
Both the A and B-side was re-released by EMI in the UK in March 1979 on one side of a 7-inch single. On the B-side of this re-release was "You've Got a Habit of Leaving" and "Baby Loves That Way". This version was again released by See For Miles Records in the UK in October 1982, and as a 12-inch picture disc in June 1985. The re-release by See For Miles in 1982 took the edge off a collector's market since EMI's March 1979 reissue disappeared almost as quickly as it had arrived. Both tracks appear on the CD compilation Early On from 1991, but both have alternate vocals.
Stevie Wonder recorded it for his I Was Made to Love Her
Ann Peebles's 1971 rendition reached number 18 on Billboard's R&B chart and number 85 on its Hot 100
Cyndi Lauper sang the song live in 1993 on The Jack Dee Show
Robert Cray recorded a version with Shemekia Copeland that was released on Martin Scorsese Presents The Blues it was used for the score of Antoine Fuqua's documentary Lightning In A Bottle
Tedeschi Trucks Band recorded a live version of this song recorded at the Beacon Theatre for their Let Me Get By album on the deluxe version in 2016
BB King released a version with Buddy Guy on his Blues Summit album in 1993
Marla Glen released a version on her Unexpected album in 2020