The imai Foundation was founded in 2006 as imai - inter media art institute. It is an institution dedicated to the preservation, research and distribution of video art and media art and associated activities. The foundation organizes workshops, conferences, screenings, exhibitions, research projects and case studies concerning the current questions of conservation and restoration of media art. It aims to develop further the possibilities of preservation, presentation and distribution of media art.
History
The main purpose for the founding of the imai Foundation was to preserve the large collection of video art tapes which the former video art distributor and media art agency 235 MEDIA held in its archive in Cologne. IMAI was set up with the support of the provincial capital of Düsseldorf and the Cologne media art agency 235 MEDIA. The preservation of the video art archive was funded by the Kunststiftung NRW, the 'Kulturstiftung der Länder'. The IMAI is located in the NRW Forum at the Ehrenhof complex, built by Wilhelm Kreis in 1925-26, close to Kunstakademie Düsseldorf and the museum kunst palast in Düsseldorf, the state capital of North Rhine-Westfalia. The institute is directed by Dr. Renate Buschmann.
During its ongoing research project to restore media art installations, the imai Foundation uses individual case studies to test restoration methods which secured the long-term preservation of technology-based art. imai collaborates with restorers, art historians, technicians and artists. The foundation has realized six case studies so far: The first case study was about Il Nuotatore a work by Studio Azzurro from 1984. In Situ by Gary Hill, Exchange Fields by Bill Seaman, Testcuts I by Katharina Sieverding, Light Composition: Documenta 8 by Nan Hoover and Zweileinwandkino by Lutz Mommartz. The results of the case studies were presented in publications and at several conferences.
Exhibitions
The imai Foundation participated in the Düsseldorf art festival Quadriennale 2010 with Katharina Sieverding. Testcuts. Projected Data Images and participated in Quadriennale 2014 with the exhibition The Invisible Force Behind. Materiality in Media Art. Media artists Holger Mader and Heike Wiermann displayed a light-art projection in the Ehrenhof courtyard that played across the windows of the Belvedere and also at times the fountain area in the inner courtyard of the Museum Kunstpalast. The exhibition Images against Darkness at KIT – Kunst im Tunnel presented a selection of video art works from the imai archive for the first time.
Permanent video lounge
In the imai Foundation's video lounge, established in 2019 in the NRW Forum in Dusseldorf, you can research the history of video art from the 1970s to the present day and explore it interactively on tablets, where you may watch up to 1500 video art pieces.
Members of the Board of Trustees are Dr. Andreas Broeckmann, Dr. Söke Dinkla, Prof. Rainer Jacobs, Ulrich Leistner, Hans-Georg Lohe, Prof. Marcel Odenbach, Dr. Ingrid Stoppa-Sehlbach, Beat Wismer, Julia Stoschek, Doris Krystof.
Members of the Board
Members of the Board are Nicolas Maas and Axel Wirths.
Publications
The imai Foundation publishes exhibition catalogs and specialist works on the monographic and thematic exhibitions and case studies. A selection:
Renate Buschmann/Darija Šimunović : The Invisible Force Behind: Materialität in der Medienkunst, Kettler Verlag, Bönen 2014.
Renate Buschmann/Darija Šimunović : Die Gegenwart des Ephemeren. Medienkunst im Spannungsfeld zwischen Konservierung und Interpretation, Wiener Verlag für Sozialforschung, Vienna 2014.
Renate Buschmann/Tiziana Caianiello : Media Art Installations. Preservation and Presentation. Materializing the Ephemeral imai Reimer Verlag, Berlin 2013.
imai - inter media art institute : Katharina Sieverding. Testcuts. Projected Data Images DuMont, Cologne, 2010.
KIT – Kunst im Tunnel/imai - inter media art institute : Images against Darkness. Video art from the archive of imai at KITexhibition catalogue 2012