List of webcomics in print
Though webcomics are typically published primarily on the World Wide Web, some webcartoonists may get publishing deals in which comic books are created of their work. Sometimes, these books are published by mainstream comics publishers who are traditionally aimed at the direct market of regional comic books. Some webcartoonists may pursue print syndication in established newspapers or magazines. In other cases, webcomic creators decide to self-publish their work. Crowdfunding through Kickstarter is often used in order to fund such projects.
Publication of webcomics
Though mainstream comic book publishers have typically been wary of licensing webcomics and adapting them into a print format, the rise of webcomics in the 2000s coincided with an American boom in graphic novels. Anna Baddeley, writing for The Guardian, stated that the established fanbase many webcomics have could give publishers a chance to attract new audiences to the print format, making webcomics an attractive focus for publishers. The traditional audience base for webcomics and print comics are vastly different, and webcomic readers do not necessarily go to bookstores. For some webcartoonists, a print release may be considered the "goal" of a webcomic series, while for others, comic books are "just another way to get the content out."Caitlin Rosberg, writing for Paste Magazine, noted that "digital-first" comics, as found on platforms such as ComiXology, Marvel Unlimited and DC Comics' Digital First, share more aspects with printed comics than with webcomics. With the exception of two-page spreads and the occasional large-panel layout, the formatting of such digital comics are indistinguishable from their print counterparts. "Digital-first" comics can almost seamlessly transition from screen to print, as they are designed with this leap in platform in mind. Rosberg claimed that such comics are not webcomics, as webcomics are designed for consumption only on the World Wide Web, often using infinite canvas techniques or uncommon page formats. Similarly, Lauren Davis wrote for Comics Alliance that "webcomics are not print comics that happen to appear on the web. They're a distinct animal, offer a distinct reading experience, and should be evaluated accordingly."
Webcomics have been seen by some artists as a potential new path towards syndication in newspapers, but attempts have rarely proven lucrative. According to Jeph Jacques, "there's no real money" in syndication for webcomic artists. For instance Jeffrey Rowland uploaded his webcomics to the internet in order to gain constructive criticism after being rejected from various syndicates in 1999, but eventually found that he didn't need to get his work syndicated when he started selling merchandise of his webcomic Wigu. To The Boston Globe, Rowland said that "if a syndicate came to me and offered me a hundred newspapers, I would probably say no ... I'd probably make less money, with more work." When Diesel Sweeties found syndication by United Media in 2007, its creator Richard Stevens still made 80% of his income through his website. Other webcomic creators, such as R. K. Milholland and Michael Terracciano, wouldn't be able to syndicate their work in newspaper because they fill up a specific niche and wouldn't be accepted by a broader audience. Some webcartoonists have proven more successful with newspaper syndication since: in 2015, Dana Simpson syndicated her webcomic Phoebe and Her Unicorn through Universal Uclick to over 100 newspapers.
Many authors opt to self-publish their webcomic in print. In order to do so, many comic artists may use the crowdfunding service Kickstarter, which successfully funded 994 comic and graphic novel projects in 2015.
Published webcomics
In 1996, David Allen launched Plan Nine Publishing, a small press American publisher focused on printing webcomics. The first webcomic Plan Nine published was Bill Holbrook's Kevin and Kell. Plan Nine published over 70 titles, printing late 1990s and early 2000s webcomics such as Sluggy Freelance, Ozy and Millie, Greystone Inn, and College Roomies from Hell!!!. Since 1997, various webcomic creators worldwide have made book deals with larger publishing companies, resulting in their webcomics being adapted into comic books and distributed to retailers.Webcomic | Publication title | Creator | Publisher | Initial publication | Issues | Issues total | Ref. |
Acception | Coco “Colourbee” Ouwerkerk | Syndikaat | 2016 | 2 | |||
Achewood | Dark Horse Comics | 2008 | 3 | ||||
The Adventures of Dr. McNinja | TopatoCo | 2007 | 3 | 6 | |||
The Adventures of Dr. McNinja | Dark Horse Comics | 2011 | 3 | 6 | |||
American Elf | Top Shelf Productions | 2004 | 4 | ||||
Ant Comic | Ant Colony | Drawn and Quarterly | 2014 | 1 | |||
As the Crow Flies | Iron Circus Comics | 2017 | 1 | ||||
Aoi House | Seven Seas Entertainment | 2006 | 4 | ||||
Axe Cop | Malachai and Ethan Nicolle | Dark Horse Comics | 2011 | 6 | |||
Bad Machinery | Oni Press | 2013 | 8 | ||||
Battlepug | / Allen Passalaqua / Chris Crank | Dark Horse Comics | 2012 | 5 | |||
Bee | Shutterbug Follies | Doubleday | 2002 | 1 | 2 | ||
Bee | Motel Art Improvement Service | Dark Horse Comics | 2010 | 1 | 2 | ||
Bouletcorp | Notes | Boulet | Delcourt | 2008 | 10 | ||
Bucko | / Erika Moen | Dark Horse Comics | 2012 | 1 | |||
Buzzer Beater | Shueisha | 1997 | 4 | ||||
Check, Please! | First Second Books | 2018 | 2 | ||||
Cheshire Crossing | / Sarah Andersen | Ten Speed Press | 2019 | 1 | |||
Comical Psychosomatic Medicine | Young King | 2010 | 15 | ||||
copper | GRAPHIX | 2010 | 1 | ||||
Crocodile in Water, Tiger on Land | Anonymous | HarperCollins India | 2015 | ||||
Cucumber Quest | First Second Books | 2017 | 4 | ||||
Cyanide & Happiness | Explosm | It Books | 2009 | 2 | 4 | ||
Cyanide & Happiness | Explosm | Boom! Studios | 2014 | 2 | 4 | ||
Demon | First Second Books | 2016 | 4 | ||||
Diesel Sweeties | Oni Press | 2013 | 3 | ||||
Digger | Sofawolf Press | 2005 | 6 | ||||
Dinosaur Comics | TopatoCo | 2010 | 3 | ||||
Evert Kwok | Eelke de Blouw and Tjarko Evenboer | Syndikaat | 2006 | 7 | |||
Forming | Nobrow Press | 2011 | 2 | ||||
FreakAngels | / Paul Duffield | Avatar Press | 2008 | 6 | |||
Get Your War On | Soft Skull Press | 2002 | 2 | 3 | |||
Get Your War On | Riverhead Books | 2004 | 1 | 3 | |||
Gunnerkrigg Court | Archaia Entertainment | 2008 | 7 | ||||
Hark! A Vagrant | Hark! A Vagrant / Step Aside, Pops | Drawn and Quarterly | 2011 | 2 | |||
' | Gentosha | 2008 | 6 | ||||
Homestuck | TopatoCo | 2011 | 3 | 7 | |||
Homestuck | Viz Media | 2018 | 7 | 7 | |||
How to Keep a Mummy | Futabasha | 2016 | 4 | ||||
I Was Kidnapped By Lesbian Pirates From Outer Space | Platinum Comics | 2007 | 6 | ||||
Inverloch | Seven Seas Entertainment | 2006 | 2 | ||||
The Joy of Tech | The Best of the Joy of Tech | / Bruce Evans | O'Reilly Media | 2003 | 1 | ||
Kill Six Billion Demons | Image Comics | 2016 | 3 | ||||
Leaving Richard's Valley | Drawn and Quarterly | 2019 | 1 | ||||
Ma vie est tout à fait fascinante | Delcourt | 2012 | 1 | ||||
Marine Corps Yumi | and | Kodansha | 2012 | 7 | |||
Wendy Pini's Masque of the Red Death | Masque of the Red Death | Go! Comi | 2007 | 1 | |||
Megatokyo | / Rodney Caston | Studio Ironcat | 2003 | 1 | 6 | ||
Megatokyo | / Rodney Caston | Dark Horse Comics | 2004 | 3 | 6 | ||
Megatokyo | / Rodney Caston | CMX | 2006 | 2 | 6 | ||
Megatokyo | / Rodney Caston | WildStorm | 2010 | 1 | 6 | ||
Ménage à 3 | / David Lumsdon | Udon Entertainment | 2018 | 4 | |||
Mob Psycho 100 | One | Shogakukan | 2012 | 16 | |||
Mom's Cancer | Abrams Books | 2006 | 1 | ||||
Moving Pictures | / Stuart Immonen | Top Shelf Productions | 2010 | 1 | |||
My Lesbian Experience With Loneliness | East Press / Seven Seas Entertainment | 2016 | 1 | ||||
Nimona | HarperCollins | 2015 | 2 | ||||
Octopus Pie | Image Comics | 2016 | 5 | ||||
Oglaf | / Doug Bayne | TopatoCo | 2011 | 2 | |||
Ojisan and Marshmallow | Ichijinsha | 2014 | 4 | ||||
One-Punch Man | One / Yusuke Murata | Shueisha / Viz Media | 2013 | 18 | |||
Parade | Image Comics | 2007 | 2 | ||||
Penny Arcade | / Mike Krahulik | Dark Horse Comics | 2006 | 5 | 9 | ||
Penny Arcade | / Mike Krahulik | Del Rey Books | 2010 | 2 | 9 | ||
Penny Arcade | / Mike Krahulik | Oni Press | 2012 | 2 | 9 | ||
The Perry Bible Fellowship | The Trial of Colonel Sweeto and Other Stories | Dark Horse Comics | 2007 | 2 | |||
Polar | Dark Horse Comics | 2013 | 2 | ||||
Princess Maison | Shogakukan | 2015 | 2 | ||||
Problem Sleuth | TopatoCo | 2010 | 5 | ||||
PvP | Dork Storm Press | 2001 | 1 | 45 | |||
PvP | Image Comics | 2003 | 45 | 45 | |||
Questionable Content | TopatoCo | 2010 | 6 | ||||
The Red Hook | Image Comics | 2018 | 2 | ||||
Red String | Dark Horse Comics | 2002 | 3 | ||||
Rice Boy | Iron Circus Comics | 2018 | 1 | ||||
Salamander Dream | AdHouse Books | 2005 | 1 | ||||
Sarah's Scribbles | Adulthood is a Myth / Big Mushy Happy Lump / Herding Cats | Andrews McMeel Publishing | 2016 | 3 | |||
Saturday Morning Breakfast Cereal | Save Yourself, Mammal! / The Most Dangerous Game / Science: Ruining Everything Since 1543 | Breadpig | 2011 | 3 | |||
Schlock Mercenary | Hypernode Press | 2000 | 16 | ||||
Serenity Rose | Slave Labor Graphics | 2005 | 3 | ||||
Sinfest | Dark Horse Comics | 2009 | 2 | ||||
Sleepless Domain | Hachette | 2018 | 1 | ||||
Smile | Smile | GRAPHIX | 2010 | 1 | |||
A Softer World | / Emily Horne | TopatoCo | 2009 | 4 | 5 | ||
A Softer World | / Emily Horne | Breadpig | 2016 | 1 | 5 | ||
Spy × Family | Shueisha / Viz Media | 2019 | 3 | ||||
Strong Female Protagonist | / Molly Ostertag | Top Shelf Productions | 2014 | 2 | |||
Templar, Arizona | Iron Circus Comics | 2007 | 4 | ||||
Tsuredure Children | Kodansha | 2012 | 12 | ||||
Tu mourras moins bête | Ankama | 2011 | 2 | 4 | |||
Tu mourras moins bête | Delcourt | 2014 | 2 | 4 | |||
Up and Out | Super Late Bloomer: My Early Days in Transition | Andrews McMeel Publishing | 2018 | 1 | |||
User Friendly | O'Reilly Media | 1999 | 4 | 5 | |||
User Friendly | Manning Publications | 2008 | 1 | 5 | |||
Van Von Hunter | / Ron Kaulfersch | Tokyopop | 2005 | 3 | |||
Witchy | Lion Forge Comics | 2019 | 1 | ||||
Woman World | Drawn and Quarterly | 2018 | 1 | ||||
The Wormworld Saga | Lion Forge Comics | 2018 | 4 | ||||
' | Fujita | Ichijinsha / Kodansha USA | 2014 | 7 | |||
xkcd | xkcd: Volume 0 | Breadpig | 2009 | 1 | |||
Yarichin Bitch Club | Gentosha / Viz Media | 2012 | 3 |
Webcomics syndicated in newspapers and magazines
Some webcomics have been regularly published in periodicals such as newspapers and magazines.Webcomic | Creator | Syndicate | Publication | Size | Ref. |
A Softer World | / Emily Horne | The Guardian | "several newspapers" | ||
Aiura | Chama | Kadokawa Shoten | 4-Koma Nano Ace / Monthly Shōnen Ace | ||
Big Fat Whale | Association of Alternative Newsmedia | Cleveland Free Times / The Poenix | |||
Boy on a Stick and Slither | United Media | The Atlanta Journal-Constitution / Esquire | |||
Comical Psychosomatic Medicine | Young King | ||||
Diesel Sweeties | United Media | 20 newspapers | |||
Fetus-X | Metro Times / Lansing State Journal | ||||
Helen, Sweetheart of the Internet | Tribune Media Services | The New York Times / New Straits Times | 60 newspapers | ||
Idiot Box | United Media | Seven Days / Funny Times | |||
Phoebe and Her Unicorn | Universal Uclick | 100+ newspapers | |||
Tsuredure Children | Kodansha | Weekly Shōnen Magazine | |||
Van Von Hunter | / Ron Kaulfersch | Universal Press Syndicate | Los Angeles Times, / The Denver Post / The Seattle Post-Intelligencer / The Detroit News / The Oregonian / The Vancouver Sun / Toronto Sun |