British Hit Singles & Albums
British Hit Singles & Albums was a music reference book originally published in the United Kingdom by the publishing arm of the Guinness breweries, Guinness Superlatives. Later editions were published by HIT Entertainment. It listed all the singles and albums featured in the Top 75 pop charts in the UK. In 2004 the book became an amalgamation of two earlier Guinness publications, originally known as British Hit Singles and British Hit Albums. The publication of this amalgamation ceased in 2006, with Guinness World Records being sold to The Jim Pattison Group, owner of Ripley's Believe It or Not! At this point, the Official UK Charts Company teamed up with Random House/Ebury Publishing to release a new version of the book under the Virgin Books brand. Entitled The Virgin Book of British Hit Singles, it was first published in November 2008 with a separate albums book and second edition being published over the next couple of years.
The first ten editions of The Guinness Book of British Hit Singles were compiled by Paul Gambaccini, Mike Read and brothers Tim Rice and Jonathan Rice. Read left the team in the mid-1980s and the other editors resigned in 1996. Chart editor for many editions was David Roberts.
Content
British Hit Singles & Albums was generally considered to be the authoritative reference source for both the UK singles chart and the UK Albums Chart. It listed all the singles and albums ever to have been in the UK charts since 1952, listing them in alphabetical order and by both artist and song title. The entries also included the date of chart entry, highest position, catalogue number and number of weeks in the chart. Short biographical notes accompanied many of the artists' chart details.The book's sources are the New Musical Express chart from November 1952 to March 1960, and the Record Retailer chart thereafter. It could be said that this division is misleading, since the Record Retailer chart was little known until it was adopted by the BBC in 1969 and that by adopting this chart as its standard, the editors had a non-consensual view. An example often given is the case of the Beatles' second single "Please Please Me" which was recognised as a number one hit by every other publicly available chart of the time, but not by Record Retailer and therefore not by British Hit Singles. Other records to which this applies include "19th Nervous Breakdown" by the Rolling Stones, "Stranger on the Shore" by Acker Bilk and the Eurovision Song Contest entry "Are You Sure?" by the Allisons.
Even after February 1969 the BBC-approved chart, as used by the Book of British Hit Singles, suffered from errors. Reasons for these include low, late, unusable, or even complete lack of returns from record shops used to compile the chart. Typically only around 10% of stores sent in properly detailed sales information on time. The other major problem was "chart hyping". There were two main forms of this. The first was for record companies, or artists' management, to simply buy positions for their records in the chart. The second was, knowing that only 10% of sampled stores reliably sent in sales info, to find out which stores those were, and then send in "customers" to buy out all the stock of a particular record in those specific stores in a particular week, thus artificially giving that record a high chart placing. As such, even through the 1970s and 1980s many books on British chart history referred to the New Musical Express and/or Melody Maker chart.
Co-founder Jo Rice has defended the book's choice of source material on the grounds that Record Retailer was the only chart to consistently publish a Top 50 from 1960 onwards. This can be substantiated by the fact that charts published in the NME were of a shorter format and other chart listings such as those in Melody Maker, became less and less informative although they were probably more accurate. Subsequent research has shown that during the "disputed" period of the 1960s, the sample sizes of the Record Retailer chart were considerably inferior to those of the other charts: around 30 shops in 1963 in comparison to more than 100 used by Melody Maker, and later around 80 in comparison to NMEs 150 and Melody Makers 200. As a result, the placings in that chart were more open to error and manipulation – a situation further worsened by the larger number of records listed in the chart.
History
1977–1996 original editors
The first edition was published as The Guinness Book of British Hit Singles in November 1977. It was not the first Guinness music reference publication, as the previous year a book called The Guinness Book of Music Facts & Feats had been published. It also contained feats from the world of classical music.The first edition was issued to coincide with the 25th anniversary of the first UK singles sales chart, which was published in November 1952, by the New Musical Express. Subsequently, a new edition was published every two years, adding a few hundred titles to each edition.
Keeping in line with the book's parent publication The Guinness Book of Records, each edition of British Hit Singles also contained a 'facts and feats' section, which included various lists of remarkable chart feats such as 'most hits', 'most no. 1 hits', 'most weeks on chart' or 'Least successful chart artist'. Also included in the books were photographs and introductions written by the four authors. They also wrote a bi-annual lookback on the major developments in the UK charts in the two preceding years.
The series was soon regarded as the number one source for music and chart reference, thanks to the commercial success of the books and its various sister publications.
The series' 10th edition, published in June 1995, was the last to feature its original authors Rice, Rice and Gambaccini. From the 11th edition onwards, the book was compiled by in-house editors at Guinness Publishing and, later, by David Roberts who had already been a chart editor and designer for the original team.
1997–2006
From the 12th edition onwards, the book was published every year rather than bi-annually. In 2004, the book merged with The Guinness Book of British Hit Albums to form The Guinness Book of British Hit Singles & Albums. The eighteenth edition of the book was billed as a "Special Collector's Edition" as it featured detailed information on the 1,000 Number Ones in the UK singles chart from Al Martino's "Here in My Heart" on 14 November 1952 to Elvis Presley's "One Night / I Got Stung", 22 January 2005.The 19th edition was the last in the series. A supposed 20th edition was due to be published in 2007, but apparently the original publishers lost interest in chart reference books after their contract with The Official Charts Company expired, which saw that organisation sell the contract to Virgin.
Associated merchandise
Following the success of the Guinness Book of British Hit Singles series, the original authors and Guinness quickly turned to other charts-related books and projects. The following books were written by them:The Guinness Book of Hits of the 70s The Guinness Book of 500 Number One Hits The Guinness Book of British Hit Albums The Guinness Book of Hits of the 60s The Guinness Hits Challenge The Guinness Hits Challenge 2 The Guinness Book of Number One Hits UK Top 1000 Singles Hits of the 80s The Guinness Hits Quiz Guinness Top 40 Charts The Guinness Hits Quiz 2 UK Top 1000 Singles 2 The Guinness Book of Number One Hits Guinness Top 40 Charts 2In the late 1990s and 2000s several other merchandise was produced, such as karaoke CDs, a calendar, a DVD quiz and a series of themed compilation CDs with original hits from the book.